Tag: 12thC

A brief overview of how medieval vernacular songs might inform and be informed by the social contexts that produced and consumed them.

Podlecture 5: Songs, singers, and society

Suggested select reading on political and religious organisation and conflict

• Coss, Peter. “The Origins and Diffusion of Chivalry.” In A Companion to Chivalry, edited by Robert W. Jones and Peter Coss. 7-38. Woodbridge: Boydell, 2019.
• Galvez, Marisa. The Subject of Crusade: Lyric, Romance, and Materials, 1150-1500. Chicago: Chicago University Press, 2020.
• Harvey, Ruth E. “Joglars and the Professional Status of the Early Troubadours.” Medium Aevum 62 (1993): 221-41.
• Lee, Charmaine. “Richard the Lionheart: The Background to Ja nus homs pris.” Chap. 8 In Literature of the Crusades, edited by Simon Thomas Parsons and Linda M. Paterson. 134-50. Woodbridge: Boydell, 2018.
• O’Sullivan, Daniel E. Marian Devotion in Thirteenth-Century French Lyric. Toronto: University of Toronto Press, 2005.
• Paterson, Linda M. The World of the Troubadours: Medieval Occitan Society, c.1100-c.1300. Cambridge: Cambridge University Press, 1995.
• Paterson, Linda. Singing the Crusades: French and Occitan Lyric Responses to the Crusading Movements, 1137-1336. Woodbridge: Boydell, 2018.
• Reynolds, Susan. Fiefs and Vassals. Oxford: Oxford University Press, 1994.

On gender, desire, and subjectivity

• Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: University of Chicago Press, 1991.
• Boynton, Susan, ‘Women’s Performance of the Lyric Before 1500’. In Medieval Woman’s Song. Anne L. Klinck and Anne Marie Rasmussen, eds., 47-65; 219-23. Philadelphia: University of Pennsylvania Press, 2002.
• Bruckner, Matilda Tomaryn. ‘Fictions of the Female Voice: The Women Troubadours’, Speculum, 67/4 (1992), 865-91.
• Bruckner, Matilda, Laurie Shepard, and Sarah White, eds. and trans. Songs of the Women Troubadours. New York: Garland: 2000.
• Coldwell, Maria V. ‘Jongleuresses and Trobairitz: Secular Musicians in Medieval France’. In Women Making Music: The Western Art Tradition, 1150-1950. Jane Bowers and Judith Tick, eds., 39-61. Urbana and Chicago: University of Illinois Press, 1987.
• Dell, Helen. Desire by Gender and Genre in Trouvère Song. Gallica. Vol. 10, Cambridge: D.S. Brewer, 2008.
• Doss-Quinby, Eglal, et al., eds. Songs of the Women Trouvères. New Haven: Yale University Press, 2001. [See especially the Introduction]
• Gaunt, Simon. Gender and Genre in Medieval French Literature. Cambridge: Cambridge University Press, 1995.
• Gravdal, Kathryn. ‘Metaphor, Metonymy, and the Medieval Women Trobairitz’, Romanic Review, 83 (1992), 411-26.
• Green, D. H. Women and Marriage in German Medieval Romance. Cambridge: Cambridge University Press, 2009.
• Jackson, William E. Reinmar’s Women: A Study of the Woman’s Song (“Frauenlied” and “Frauenstrophe”) of Reinmar Der Alte. German Language and Literature Monographs. Vol. 9, Amsterdam: John Benjamins, 1981.
• Kay, Sarah. “Desire and Subjectivity.” In The Troubadours: An Introduction, edited by Simon Gaunt and Sarah Kay. 212-27. Cambridge: Cambridge University Press, 1999.
• Paden, William D., ed. The Voice of the Trobairitz: Perspectives on the Women Troubadours. Philadelphia: University of Pennsylvania Press, 1989.
• Peraino, Judith Ann. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and London: University of California Press, 2005.

TEST YOURSELF

Check you know what the following are:

1. Albigensian crusade
2. vassal
3. banal lordship
4. appanage
5. hypergamy
6. the outremer
7. chivalry
8. feudalism
9. symbolic order
10. imaginary

GO TO LECTURE 6