Last month (June 2019), I took part in a two-day performance workshop organised by Joseph W. Mason and attended by various other people I’ve worked with over the past decade or so. I introduced and advised on performances of a song by Blondel de Nesle (people who have heard me sing will be happy to hear that I delegated that task to others far better qualified!). Joe has written an excellent account of the entire event, obviating the need for me to do so here.
I refer you enthusiastically to his blogpost, which has embedded audio-visual footage of the public concert that resulted. Enjoy!
A third post from the performance workshop with graindelavoix, sponsored by the Leverhulme Trust and held at St Hugh’s College, Oxford in March 2017. Continue reading “Performance workshop 3: JP30”
A second post from the performance workshop with graindelavoix, sponsored by the Leverhulme Trust and held at St Hugh’s College, Oxford in March 2017. Continue reading “Performance Workshop 2: JP4”
A first post from the performance workshop with graindelavoix, sponsored by the Leverhulme Trust and held at St Hugh’s College, Oxford in March 2017. Continue reading “Performance Workshop 1: JP27a”
How were large collections of lyric poetry (with or without music) assembled?
Continue reading “The source materials for large medieval chansonniers”
At the end of the first full week of my project, I offer a working edition of one of Douce 308’s unique songs in the grand chant section. Continue reading “One of Douce 308’s grands chants”
Porrus kills Fezonas’s peacock in the first item in Douce 308, The Vows of the Peacock. Image, Bodleian Library.
The first thing promised as part of my Leverhulme Major Research Fellowship is now done.
complete images of the manuscript Oxford, Bodleian Library, Douce 308 are now online. The photography is funded by part of the Leverhulme Major Research Fellowship that I was awarded for 2015-18 specifically to write a book on this source and what it might tell us about the culture(s) of vernacular song in the few decades either side of 1300. (Some viewers may find it easier to use this alternative link to view the images.)
Many thanks to the
Bodleian Library for their great efficiency in getting this done in time for the project start date (1 Oct 2015), which will mean I can get going straight away. I was interested to be asked whether I actually wanted to withhold the open-access web-mounting of the images until after I’d written my book. While I’m glad they asked, I think anyone’s going to ‘beat me’ to saying exactly what I would say about it, and my general view is the more the merrier on people using these images and finding things to say about this wonderful and complex source. I certainly won’t exhaust it!
I’m looking forward to blogging bits and pieces of interesting stuff as I go along.