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Elizabeth Eva Leach

Musicology, medieval to modern

  • About me
  • Blog
    • Blog caveat
  • Publications
    • Books
      • Guillaume de Machaut: Secretary, Poet, Musician
      • Sung Birds: Music, Nature, and Poetry in the Later Middle Ages
      • Citation in Medieval and Renaissance Musical Culture: Learning from the Learned
      • Machaut’s Music: New Interpretations
    • Articles and book chapters
      • Reading and Theorizing Medieval Music Theory
      • The Fourteenth Century
      • Music and Verbal Meaning
      • Guillaume de Machaut, Royal Almoner
      • Machaut’s Peer, Thomas Paien
      • Nature’s Forge and Mechanical Production
      • Mourning, Machaut, Music, and Renown in the Chantilly Codex
      • Machaut, the Ars Subtilior and the Cyprus Balades
      • Gendering the Semitone, Sexing the Leading Tone
      • Sirens in the Middle Ages
      • Learning French from Singing
      • Machaut’s Notated Balades 1-5
      • Authenticity and the Spice Girls
      • Counterpoint and Analysis in Fourteenth-Century Song
      • Fortune’s Demesne
  • Undergraduate applications
  • Graduate study and postdoc mentoring
  • Teaching resources

gender

An analysis of Machaut’s B18

Posted on November 22, 2011March 14, 2012 by Elizabeth Eva Leach

My chapter presenting an analysis of Guillaume de Machaut’s balade, De petit po (B18), has just been published (partial access via Google Books). Continue reading An analysis of Machaut’s B18

Posted in gender, Guillaume de Machaut, medieval composers, publicationsTagged counterpoint, feminine voice, medieval song, music analysisLeave a comment

More on music and sex

Posted on October 16, 2011November 22, 2011 by Elizabeth Eva Leach

My letter (responding to Fuller’s letter responding to my 2011 response to her 2011 article attacking Leach 2006) has just been published. Continue reading More on music and sex

Posted in gender3 Comments

A collegial colloquy?

Posted on April 19, 2011July 29, 2011 by Elizabeth Eva Leach

My reply to Sarah Fuller’s 2011 attack on my 2006 article about medieval music theory and gender has just been published. Continue reading A collegial colloquy?

Posted in academic life, gender, publicationsTagged 14thC, gender, medieval, Middle Ages, music theory1 Comment

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Categories

  • academic life (18)
  • blog reports (4)
  • blog-only publications (3)
  • conference reports (4)
  • digital humanities (23)
  • Douce 308 project (9)
  • Elizabethan England (1)
  • gender (3)
  • Guillaume de Machaut (21)
  • medieval composers (40)
  • medieval French literature (17)
  • medieval music theory (2)
  • medieval singers (19)
  • music analysis (2)
  • public talks (1)
  • publications (36)
  • speculative musicology (4)
  • Teaching materials (8)
  • Uncategorized (2)

Recent Posts

  • A medieval music blog recommendation
  • Resonance in Richard de Fournival
  • Performance workshop 3: JP30

Earlier blogposts

Links

  • DIAMM
  • International Machaut Society
  • The Plainsong and Medieval Music Society

Medieval Studies blogs

  • Trecento (Michael Scott Cuthbert)
  • ars musicae
  • Manuscript Egerton 1500 (Catherine Léglu)
  • Jason Stoessel
  • Multimodal Machaut (Kate Maxwell)
  • Musicology in the Making (Henry Hope)
  • medieval song and sundries
  • Medieval Motet (Catherine A. Bradley)

Musicology blogs

  • Jason Stoessel
  • Early Modern English Music (Katherine Butler)
  • Note Against Note (Melanie Marshall)
  • Luís C. F. Henriques
  • Trecento (Michael Scott Cuthbert)
  • ars musicae
  • Medieval Motet (Catherine A. Bradley)
  • Early Music
  • medieval song and sundries
  • Musicology in the Making (Henry Hope)

Other academic blogs

  • medieval song and sundries
  • Renaissance art and music

Twitter

  • RT @impr0vis0: I’m just a bird in a medieval manuscript, standing in front a rabbit, asking him to stop improvising a Romanesca on that bla… 7 hours ago
  • RT @IndexCensorship: In 1944, Indian Muslim author Ismat Chughtai successfully defended herself before the Imperial Crown Court against a c… 8 hours ago
  • RT @TheRSC: ⭐⭐⭐⭐ 'ablaze with energy...a delight'' - @Independent #RSCWindsor ind.pn/2ODBpyN https://t.co/6GKH8lzgTs 1 day ago
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Contact details

Elizabeth Eva Leach
Prof. Elizabeth Eva Leach
Faculty of Music
St Aldate's
Oxford OX1 1DB
Great Britain
Email: Elizabeth Eva Leach



College Appointments

Tutorial Fellow in Music
St Hugh’s College, Oxford

Stipendiary Lecturer in Music
Exeter College, Oxford


Most viewed

The wonders of Gallica: some troubadour and trouvère sources
Homepage
The dart of love: an analysis of Machaut's rondeau no.5
Free score of a Machaut virelai
About me
DIAMM and DIAMM Publications
Learn to read 14thC French music notation
Money speaks louder than knowledge in the thirteenth-century university
Richard de Fournival's Bestiary of Love
Undergraduate applications
CONTACT INFORMATION
Prof. Elizabeth Eva Leach
Faculty of Music
St Aldate's
Oxford OX1 1DB
Great Britain
Email: Elizabeth Eva Leach

COLLEGE APPOINTMENTS
Tutorial Fellow in Music
St Hugh’s College, Oxford
Stipendiary Lecturer in Music
Exeter College, Oxford


Links

  • DIAMM
  • International Machaut Society
  • The Plainsong and Medieval Music Society

Medieval Studies blogs

  • ars musicae
  • Jason Stoessel
  • Manuscript Egerton 1500 (Catherine Léglu)
  • Medieval Motet (Catherine A. Bradley)
  • medieval song and sundries
  • Multimodal Machaut (Kate Maxwell)
  • Musicology in the Making (Henry Hope)
  • Trecento (Michael Scott Cuthbert)

Musicology blogs

  • ars musicae
  • Early Modern English Music (Katherine Butler)
  • Early Music
  • Jason Stoessel
  • Luís C. F. Henriques
  • Medieval Motet (Catherine A. Bradley)
  • medieval song and sundries
  • Musicology in the Making (Henry Hope)
  • Note Against Note (Melanie Marshall)
  • Trecento (Michael Scott Cuthbert)

Other academic blogs

  • medieval song and sundries
  • Renaissance art and music
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