This week, the Early Music Show on Radio 3 broadcast an hour-long programme about Guillaume de Machaut. David Gallagher devised the programme after reading my book and my colleague Dr Uri Smilansky joined me in fielding questions from Lucy Skeaping to give an introduction to Machaut and some of his music. The programme is available (in the UK at least): here (starts 2’2” into the track).
Tag: Machaut
A decade after I blogged about a web-only version of my paper proposing the Melun brothers as possible Machaut patrons, a revised version has been published in print.
The original version of this thesis was deemed unsuitable by Gesta because it was too much about music and unpublishable by JAMS because it was too little about music. Feeling that it was simply one of those articles that needed to be out there but which the current configuration of university disciplines was never going to permit to be in a peer-reviewed journal, I self-published it online.
That version has been relatively widely used and cited by Machaut scholars in the years since 2012, so when the editors of a festschrift for the great Machaut scholar Lawrence Earp asked me to offer something, I eventually thought that an updated version of this paper might work well. This volume has now appeared and is exceptionally handsome, with plenty of fully integrated colour reproductions, including in my chapter where they have dutifully put the two recto MS pages on book rectos so that a reader re-experiences at least some of what a reader of the manuscript being discussed would experience.
Elizabeth Eva Leach, ‘Seeing Sens: A Picture of Two Guillaumes and Two Brothers?’
in Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp, ed. Jared C. Hartt, Tamsyn Mahoney-Steel, and Benjamin L. Albritton. (Turnhout: Brepols, 2022), 291–307.
Sadly I can’t offer an electronic offprint (I don’t have one) but I hope that you might be able to request this very beautiful book to your librarian if you want to read the many wonderful essays in it.
This final podlecture is a short introduction to Machaut’s Motets.
This podlecture gives an introduction to my method of analysing 14thC counterpoint and, in passing, gives some detail on the forms of the rondeau.
Podlecture 4 is about notation.
Podlecture 3 is about Machaut as a multimedia artist.
This is the second podlecture and notes for my Machaut Course for Prelims Special Topics at Oxford.
Copies of my new co-edited book now received!
Texte et présentation Powerpoint sur le contrepoint chez Machaut.
Elizabeth Eva Leach 