A first post from the performance workshop with graindelavoix, sponsored by the Leverhulme Trust and held at St Hugh’s College, Oxford in March 2017.
Tag: 14thC
How were large collections of lyric poetry (with or without music) assembled?
At the end of the first full week of my project, I offer a working edition of one of Douce 308’s unique songs in the grand chant section.
The first thing promised as part of my Leverhulme Major Research Fellowship is now done.
The complete images of the manuscript Oxford, Bodleian Library, Douce 308 are now online. The photography is funded by part of the Leverhulme Major Research Fellowship that I was awarded for 2015-18 specifically to write a book on this source and what it might tell us about the culture(s) of vernacular song in the few decades either side of 1300. (Some viewers may find it easier to use this alternative link to view the images.)
Many thanks to the Bodleian Library for their great efficiency in getting this done in time for the project start date (1 Oct 2015), which will mean I can get going straight away. I was interested to be asked whether I actually wanted to withhold the open-access web-mounting of the images until after I’d written my book. While I’m glad they asked, I think anyone’s going to ‘beat me’ to saying exactly what I would say about it, and my general view is the more the merrier on people using these images and finding things to say about this wonderful and complex source. I certainly won’t exhaust it!
I’m looking forward to blogging bits and pieces of interesting stuff as I go along.
Copies of my new co-edited book now received!
Jointly authored article in Renaissance Quarterly now out.
Texte et présentation Powerpoint sur le contrepoint chez Machaut.
Links to online images of manuscripts of containing the medieval Galego-Portuguese song repertory.
More information on the heraldry of MS A.
The newly recognized relevance to musicology of a short article from 1905 about words for driving beasts of burden.
Elizabeth Eva Leach 