This final podlecture is a short introduction to Machaut’s Motets.
Tag: 14thC
This podlecture gives an introduction to my method of analysing 14thC counterpoint and, in passing, gives some detail on the forms of the rondeau.
Podlecture 4 is about notation.
Podlecture 3 is about Machaut as a multimedia artist.
This is the second podlecture and notes for my Machaut Course for Prelims Special Topics at Oxford.
Long-gestating co-editing project finally published as part of 700-page book.
My article treating a ‘boring’ song by Blondel de Nesle has just been published by Early Music.
Last month (June 2019), I took part in a two-day performance workshop organised by Joseph W. Mason and attended by various other people I’ve worked with over the past decade or so. I introduced and advised on performances of a song by Blondel de Nesle (people who have heard me sing will be happy to hear that I delegated that task to others far better qualified!). Joe has written an excellent account of the entire event, obviating the need for me to do so here. I refer you enthusiastically to his blogpost, which has embedded audio-visual footage of the public concert that resulted. Enjoy!
A third post from the performance workshop with graindelavoix, sponsored by the Leverhulme Trust and held at St Hugh’s College, Oxford in March 2017.
A second post from the performance workshop with graindelavoix, sponsored by the Leverhulme Trust and held at St Hugh’s College, Oxford in March 2017.
Elizabeth Eva Leach 