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academic life medieval composers publications

A jointly authored monograph

Book cover for 'Performing Desire: Knowledge, Self, and Other in Richard de Fournival's Bestiaire d'amours' featuring an illustration of a woman and a bird.

For years, Jonathan Morton and I have been thinking and talking about Richard de Fournival’s Bestiaire d’amours (Bestiary of Love). During the lockdowns of 2020 and 2021 we met for 90 minutes, four times a week over Zoom, with the same document open in OneDrive, to discuss this puzzling work and write down some thoughts. A much-honed version of these thoughts have now been published as a book: Performing Desire: Knowledge, Self, and Other in Richard de Fournival’s Bestiaire d’amours.

Writing an entire monograph with another scholar is a fairly unusual thing to do in the humanities, and our process felt pretty modern. It could not have happened without the ability for us both to be working on the same document in real time while also being in dialogue over a video call.

For me, as well as being a really fun and companionable way of keeping in touch during the strange social circumstances of a global pandemic, it was an interesting insight into our different ways of working, thinking, and writing.

The nicest thing about the finished book is that we were able to include so many colour images. The book is available by clicking on the cover image above, but if you want to listen to an AI generated podcast giving a sense of its contents, I’ve uploaded one prepared by NotebookLM. You’ll have to forgive its inability to pronounce the French word ‘je’ (which comes out as jay).

We explore Richard de Fournival’s thirteenth-century text, the Bestiaire d’amours, which presents itself as a bestiary but functions as a cynical and parodic seduction attempt using animal lore. The book analyses the hybrid nature of Richard’s work, discussing how it stages a trial of textuality and blurs the lines between written and oral performance, often employing scholastic methods and lyric subtexts to undermine its own claims to authority. Key themes examined include the je-persona’s unreliable voice, the text’s confused epistemology (especially regarding vision, hearing, and the unreliable nature of resemblance), and the work’s commentary on place, bodies, and desire. We also discuss the work’s generation of responses of various kinds, highlighting its importance for the literary investigation of sexuality and textuality in the later Middle Ages.

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academic life AI resoures Douce 308 project medieval composers music analysis pastourelle publications

New article on an odd song (free PDF download and an AI-generated podcast summary)

My new article on J’ai trouvé, an anonymous and oddly structured song by someone who was probably called Martin, has just appeared in the journal Plainsong and Medieval Music.

Here I re-examine a thirteenth-century texted dance song, ‘Marty’s tune’, which is uncommon for its survival in two sources, one with musical notation. I explore previous academic attempts to define the song’s form and genre, highlighting how these studies often prioritized a perceived ‘correct’ structure over the evidence in the surviving manuscripts. By comparing the textual differences between the two copies alongside the musical notation, the article proposes new understandings of the song’s compositional, scribal, and performance history. It suggests that the less formal aspects of the version without notation might indicate a closer connection to semi-improvised dance performances and argues that the term “note” may have been a broad description for a tune, rather than a strict genre or form label. Ultimately, I advocate for a re-evaluation of medieval pastourelles to include songs like “Marty’s tune,” which feature explicit carnal desire and physical interaction.

The PDF can be freely downloaded from the CUP site (link above).

For those of you that want an accessible audio summary, here’s a podcast produced by feeding the text to NotebookLM (from which the above text summary is also adapted). Enjoy!

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Douce 308 project gender medieval composers medieval French literature publications

Hear an interview about Medieval Sex Lives

Earlier this year I was interviewed for the New Books Network by Dave O’Brien about my new book, Medieval Sex Lives. You can hear the result here.

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gender medieval composers medieval singers publications

My review of an edited volume on female-voice song

My review of Female-Voice Song and Women’s Musical Agency in the Middle Ages, edited by Anna Kathryn Grau and Lisa Colton has just appeared in Early Music. This book is part of the series Brill’s Companions to the Musical Culture of Medieval and Early Modern Europe and was published by Brill (Leiden) in 2022 at the somewhat eye-watering price of €215. Although reviewing large edited collections is quite a lot of work, I think it’s important to do so, especially when they’re pricey, as a way of informing potential readers of their contents in the hope that they might get a sense of whether to request their local library acquires the volume or, indeed, whether they fork out the money themselves. I think most universities libraries that teach music before 1500 and/or topics relating to women and music should probably buy this. I used the online version to write the review, which seemed pretty useful.

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publications

The Cultural History of Western Music

This six-volume series has just been published by Bloomsbury and I am now thinking about how I might incorporate some of it into my teaching next year. As you’ll see from the publisher’s website, the idea here is that all six volumes have the same eight thematically titled chapters: Society, Philosophies, Politics, Exchange, Education, Popular Culture, Performance, and Technologies. The volumes themselves are chronological, with the ‘Middle Ages’ volume that I co-edited with Helen Deeming being no.2, since there is a volume on Antiquity. All the editors met at the Radcliffe Institute in Cambridge MA in the summer of 2018 to decide the chapter themes and discuss the plans for the book, which was really nice.

It’s a bit pricey but there are some discount options via QR codes that the publishers have offered and which I give here.

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journal editing medieval composers publications

My second Early Music editorial

My second EM editorial is now on advance access on the OUP site. This one’s about my love of Sheppard, who is the subject of two of the articles in the issues that the editorial introduced (both also available in advance access too).

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academic life Douce 308 project medieval French literature publications queer studies

Discount on my new book–now with added code for UK and EU residents

The publishers, Cornell University Press, have sent me some marketing materials for my new book, including a code for 30% discount on orders (scroll down to the end of the post). This post just gives a summary, the cover image, and a few sections from the author questionnaire they sent, which should give a flavour of what’s in the book.

Summary

Oxford, Bodleian Library MS Douce 308 preserves and re-copies the lyrics of over 500 songs, ranging from those written in the late twelfth century, to those composed only a few years before the manuscript was copied in the early fourteenth. Its lack of both musical notation and authorial attribution make it relatively unusual among Old French songbooks. Its arrangement by genre instead invites an investigation of the relationship between a long tradition of sung courtly lyric and the real lives of the people who enjoyed it, in particular their emotional, intimate, sexual lives, something for which little direct evidence exists.

Using the other main inclusion in the original plan for Douce 308, Jacques Bretel’s poetic account of a tournament, The Tournament at Chauvency, Medieval Sex Lives argues that song offered musical practices which provided fertile means of propagating and enabling various sexual scripts.

With a focus on parts of Douce 308 not yet treated in detail elsewhere, Medieval Sex Lives offers an account of the manuscript’s contents, its importance, and likely social milieu, with ample musical and poetic analysis. In the process it offers new ways of understanding Marian songs and sottes chansons, as well as arguing for a broadening of our understanding of the medieval pastourelle, both as a genre and as an imaginative prop. Ultimately, Medieval Sex Lives presents a provocative speculative hypothesis about courtly song in the early fourteenth century as a social force, focusing on its ability to model, instill, inspire, and support sexual behaviours, real and imaginary.

Three ideas in the book

  • The idea that medieval people consumed cultural products (in this case, songs) that fed and moulded their sexual imaginations;
  • The idea that an unnotated songbook might be very noisy with the sounds of sex and tournaments;
  • The idea that minority sexual practices (queer sexualities and paraphilias of various kinds) were present in the distant past.

What inspired me to write the book?

This book arose from two different but related questions. First, I wondered why the sung lyric tradition of Western Europe that is generally called “courtly love had such a long and successful history. Second, I wanted to know why the unnotated songbook, Oxford, Bodleian Library MS Douce had bothered to preserve and re-copy the lyrics of over 500 such songs, ranging from those written in the late twelfth century, to those composed only a few years before the manuscript was copied in the early fourteenth. The lack of musical notation, which was never planned for its songs, makes this manuscriptunusual among Old French songbooks. Nonetheless, curating nearly 150 years of this long-lived tradition was clearly important to the patrons, compilers, owners, and users of this manuscript: but why?

How will this book make a difference in my field of study? In what way is my argument a controversial or one that will shake up preconceived ideas?

Overall, the book challenges the idea that medieval song has nothing (or little) to do with the real lives of its audiences. Ch2’s proposal of love songs as sexual scripts is a controversial use of sociological theory to treat medieval literature. In Ch3 it offers a new way of approaching the sotte chanson (‘silly song’) as something not merely humorous or satirical, but as a potentially serious erotic possibility. Ch4 treats The Tournament at Chauvency from the perspective of sound studies. And Ch5 offers a controversial reading of the medieval pastourelle that firstly expands the definition of the genre to include songs rarely considered as pastourelles (but collected by Douce 308 as such), and secondly makes a difficult argument about some of them as offering fantasies of sexual domination and rape that might have appealed (and been useful) to some audience members, specifically women and queer people.

Residents outside North America should use 30% Discount Code: FFF23 and order online at combinedacademic.co.uk. Details on this PDF:

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blog-only publications Guillaume de Machaut medieval composers medieval French literature publications

Another Machaut patron revisited

A decade after I blogged about a web-only version of my paper proposing the Melun brothers as possible Machaut patrons, a revised version has been published in print.

The original version of this thesis was deemed unsuitable by Gesta because it was too much about music and unpublishable by JAMS because it was too little about music. Feeling that it was simply one of those articles that needed to be out there but which the current configuration of university disciplines was never going to permit to be in a peer-reviewed journal, I self-published it online.

That version has been relatively widely used and cited by Machaut scholars in the years since 2012, so when the editors of a festschrift for the great Machaut scholar Lawrence Earp asked me to offer something, I eventually thought that an updated version of this paper might work well. This volume has now appeared and is exceptionally handsome, with plenty of fully integrated colour reproductions, including in my chapter where they have dutifully put the two recto MS pages on book rectos so that a reader re-experiences at least some of what a reader of the manuscript being discussed would experience.

Elizabeth Eva Leach, ‘Seeing Sens: A Picture of Two Guillaumes and Two Brothers?’

in Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp, ed. Jared C. Hartt, Tamsyn Mahoney-Steel, and Benjamin L. Albritton. (Turnhout: Brepols, 2022), 291–307.

Sadly I can’t offer an electronic offprint (I don’t have one) but I hope that you might be able to request this very beautiful book to your librarian if you want to read the many wonderful essays in it.

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Douce 308 project medieval French literature publications

Article on Jeux-partis and demandes d’amours now out

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publications

Music and Philosophy in the Middle Ages

My chapter in the Oxford Handbook of Western Music and Philosophy has just appeared.