Published as Elizabeth Eva Leach, “Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression” Music Theory Spectrum 28/1 (2006): 1-21. © 2006 by The Society for Music Theory Inc.
Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by The Society for Music Theory Inc. for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on Caliber (http://caliber.ucpress.net/) or directly with the Copyright Clearance Center, http://www.copyright.com.
Full text of article
Click here for full PDF text of Leach 2006
Prizes
WINNER OF OUTSTANDING PUBLICATION AWARD, 2007 OF THE SOCIETY FOR MUSIC THEORY
This year’s Outstanding Publication Award recognizes an article that uncovers sedimented meanings of scale design and counterpoint in fourteenth-century music-theoretical treatises. Through persuasive, original interpretations of these medieval sources, the author documents both the gendering of the semitone and the extension of this gendering into the realm of voice leading. The author’s intricately wrought argument reveals theoretical associations between musical chromaticism and effeminacy, lasciviousness, and exoticism. In its perceptive and original use of sources, this article provides the deep history for more recent accounts of musical gendering.
HONOURABLE MENTION FOR THE PAULINE ALDERMAN AWARD OF THE INTERNATIONAL ALLIANCE FOR WOMEN IN MUSIC
The award in the article category was won by the companion article to this one: Elizabeth Eva Leach, “‘The Little Pipe Sings Sweetly as the Fowler Deceives the Bird’: Sirens in the Middle Ages,” Music & Letters 87 (2006): 187-211.
RESPONSE
Details of a rebuttal of this article by Sarah Fuller, together with my reply to her criticisms are available here.
Elizabeth Eva Leach 